

Her breast is fit for pearls
Superb Scholarship
One of the best manuscript studies of ED ever

GREAT Story!!
Great reading
On The Edge of Nowhere

Enjoy it for many reasons...I found this author did an excellent job at presenting the story in a way that demands your attention while molding the medical aspects of the story in a manner that is palatable to the non-clinical reader. It draws you in with a tempting mix of realism and romance. The characters were rich and interesting; their relationships were beautifully developed.
I was impressed with the author's style in presentation of Huntington's Disease as well as the cultural stigma that surrounds it--a nice blend of the clinical and the emotional. The realistic descriptions of the medical world surrounding the story make this a novel I'll enjoy recommending.
Could I have this Dance
Captivating

Elegant, unique, and enthusiastically recommended
OUR SAGE ADVICE: BUY. EAT UP. COOK. EAT UP AGAIN.
Gorgeous herb cookbook

The bible for automation and show control industryGeorge Tucker- Show Control Engineer- Scharff Wesiberg NYC
THE Great Show Control Reference!
Control Systems for Live Entertainment-The title says it all

Instant Native
A sidewalk is worth a thousand words.
Extremely interesting

charming and warm hearted
You can't go wrong with one of Kate's books!
Lady Diana's Darlings

Detached Compassion
The RadiantIn The Radiant, Huntington writes about her battles with Multiple Sclerosis, her broken marriage, and sea-swirled Provincetown. In her poem, "The Rapture," she writes about the moment she was first seized by MS: "I remember standing in the kitchen, stirring bones for soup, / and in that moment, I became another person." There--that is her voice throughout The Radiant: pure, intimate, compelling: she begins with the every-day and ends with the extraordinary. Later, in the same poem, she writes about her first MS attack, describing it as "a bolt driven down my skull into my spine." Such unflinching honesty characterizes all the poems in The Radiant.
Huntington's four Curse poems will be the most talked about poems in the book. Two of the curses are directed toward her friend (now her ex-friend) who slept with her husband; two are directed toward her adulterous husband (now her ex-husband). In "Curse One: The Wraith," Huntington calls her former friend "a small shape of death crouched among leaves." In "Curse Two: The Naming," Huntington curses this woman again, savagely, but also with some (dark) humor:
I want to throw stones at her mother's corpse,
send her children to name-change foster homes.
May the coat she is wearing burst into flames
and boil the flesh blistering off her bones.
May she be refused in both heaven and hell
and wander the earth forever without rest--
a hungry ghost clinging to the rocks and trees.
The curses transform a contemporary human affairs into a Biblical, even mythological, event. But forget all that: read the excerpt outloud--feel the energy, the surge! You'll not find such words in the Hallmark aisles or on your Grandmother's fridge. The Curse poems are wickedly delightful poems. They are brutal. They are masterful. They will endure.
The Curse poems are the Big Hits of The Radiant, and the poems about MS are compelling, also, but the poems about Other Topics--nature, history and mythology--are no less skillful and imaginative. Consider the beginning to "Hades":
God made the dog
perpetually hungry,
yearning after a handout,
a dug up bone, a taste
of meat or bread,
but without sense
to ever stop eating. . . .
This is clear-eyed poetry--straight-forward and wise. In "The Strange Insect," Huntington focuses her gaze on just what the title suggests--an odd, unidentified bug. She calls it "the wickedest jeweled queen" and describes it "drumming small / horny feet in a cadence, beginning to speak. . . ." She takes a Little Thing, and by examining it in the light of her imagination, discovers its mystery, its Vastness.
Eventually, however, it's the voice of the poet which makes her poems compelling or forgettable, and Huntington's voice is pure and passionate; it is her voice which makes The Radiant so good. Here is an excerpt from "Vale," one of the poems in her "On the Atlantic" series:
The world is where we die.
Let's climb the mountain
and make a fire there
out of wood that grows
with its roots in the black cold water.
Let's climb the rocks,
go up alone. In the valley they sleep
with their heads on stones. Mice
gnaw the fisherman's nets for salt
and the fish swim through.
The people sleep
with their heads on stones,
and angels come down on ladders,
bearing messages. They carry
the page help open to our names:
let's not be there when they come.
Huntington doesn't have to resort to fancy tricks or literary allusion or political commentary to make her poems work; her voice is enough. These are simple words: "fire," "roots,"
"mice," "salt," "ladders"--these are things of this world made radiant.
Courageous, heart-breaking, and beautiful.

The culture notes and photographs are a gardener's treasure.
Best book in my library.

One of the best stories you'll ever find. Period.Sidney bridges the native and white cultures so well - I think both cultures would be better off if we lived to his ideals.
The real Alaska
Shadows on the Koyukuk are enchanting!Shadows on the Koyukuk is a plain & simple memoir with unpretentious recounting of arduous survival interwoven with memories of cheerful, wholehearted contentment of where Sidney found himself in a fabled & beautiful land.
With names like Weaselheart & Schilikum, Monkey John & Cosmos Mountain, Sidney tells of his life on the edge & what happened when civilization arrived & bureaucracy took over. These are the memories of when Anchorage was a city of about 2,000 souls, after the great the Alaska Railroad system was built & the railroad crews had left. You will also find out what "tundra daisies" are. A pleasing memoir of a full life!